No doubt your story will include dialogue in which characters speak to one another. Unfortunately, too many beginning writers drag their story into a furrow of tedium by poorly handling dialogue. The problem is that their characters’ dialogue mirrors actual conversations too closely.

Realistic dialogue in a story isn’t a copy of how we really speak in everyday life. Our daily conversations are filled with niceties, formalities, repetition and the mundane. They often are tedious and even banal.

Writers can’t afford to waste a word of their story on such dialogue. Instead, they should keep in mind that dialogue in a story – unlike real life – always must have a conversational goal. Dialogue is a means of characterization, a way for characters to push forward their agenda vital to the plot. Characters engage in competition and verbal combat via their dialogue.

Compare the following dialogue examples. This one attempts to mimic real life conversation:

“You know, Upir, I’ve changed. I just can’t help you.”

The alien raised his hands. “But what of Ala and I? It took all three of us to lure the human spacecraft to that asteroid.”

“But two of the humans died when the spacecraft crashed! I was the test subject for us; I volunteered so you would not die if it didn’t work!”

“Well then, why did you leave us there?”

“It was the jump, it made me mad, you know. I did not know what I was doing!”

“You do now, right?”

“Yeah, I do. But I am powerless. You see, once human, you no longer can jump.”

“Yeah, I know.”

“You do? How?”

“The humans sent a rescue craft. Ala was near death, so he jumped.”

“Oh, I see.”

The following example more succinctly indicates the characters have goals to achieve. They use their conversation to further their personal agendas:

“I’ve changed, Upir. I can’t help you.”

“You know what will happen if you don’t do as I say.”

“I’m not cold anymore, Upir.”

The alien raised his hand like a cat ready to strike. “Yes, Raphaelie, I can see that. You’ve got what you wanted. But what of Ala and I? It took all three of us to lure the human spacecraft to that asteroid. You will make amends for what you did.”

“But two of the humans died when the spacecraft crashed! I was the test subject for us; I volunteered so you would not die if it didn’t work!”

“Then why did you leave us there?”

“It was the jump, it made me mad. I did not know what I was doing!”

“But you do now.”

“I am powerless. Once human, you no longer can jump.”

“I know.”

“How?”

“The humans sent a rescue craft. Ala was near death. He jumped.”

“Why didn’t you?”

“Because I wanted you.”

Which one was more interesting to read?

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My name is Rob Bignell. I’m an affordable, professional editor who runs Inventing Reality Editing Service, which meets the manuscript needs of writers both new and published. I also offer a variety of self-publishing services. During the past decade, I’ve helped more than 300 novelists and nonfiction authors obtain their publishing dreams at reasonable prices. I’m also the author of the 7 Minutes a Day… writing guidebooks, four nonfiction hiking guidebook series, and the literary novel Windmill. Several of my short stories in the literary and science fiction genres also have been published.