You do an awful lot of bad writing in order to do any good writing. Incredibly bad. I think it would be very interesting to make a collection of some of the worst writing by good writers.
In my writing I am acting as a map maker, an explorer of psychic areas, a cosmonaut of inner space, and I see no point in exploring areas that have already been thoroughly surveyed.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I’m creating an imaginary – it’s always imaginary – world in which I would like to live.
Writing prejudicial, off-putting reviews is a precise exercise in applied black magic. The reviewer can draw free-floating disagreeable associations to a book by implying that the book is completely unimportant without saying exactly why, and carefully avoiding any clear images that could capture the reader’s full attention.
There is only one thing a writer can write about: what is in front of his senses at the moment of writing… I am a recording instrument… I do not presume to impose “story” “plot” “continuity”… Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function… I am not an entertainer.
Visual art and writing don’t exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can’t do at all. Sometimes one picture is equal to pages of discourse, just as there are things images are completely incapable of communicating.
All political movements are basically anti-creative – since a political movement is a form of war. “There’s no place for impractical dreamers around here,” that’s what they always say. “Your writing activities will be directed, kindly stop horsing around.” “As for the smoking of marijuana, it is the exploitation for the workers.” Both favor alcohol and are against pot.
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My name is Rob Bignell. I’m an affordable, professional editor who runs Inventing Reality Editing Service, which meets the manuscript needs of writers both new and published. I also offer a variety of self-publishing services. During the past 15 years, I’ve helped more than 400 novelists and nonfiction authors obtain their publishing dreams at reasonable prices. I’m also the author of the Storytelling 101 writing guidebooks, four nonfiction hiking guidebook series, and the literary novel Windmill. Several of my short stories in the literary and science fiction genres also have been published.
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